| Home | Fading Captain Series | GBV News | The Band | The Music | The Critics & Fans | Merchandise | Other Stuff |
Barns and Noble.com
David Sprague
VOICES
CARRY barnesandnoble.com: Did working with Ric
Ocasek have a great deal of impact on the way you approached DO THE
COLLAPSE?
Robert Pollard: Not to be too cryptic,
but yes and no. I knew going in that we would do things differently, not
because we were moving to a bigger label and working with a big-name
producer but because I was tired of doing things the same way all the
time. I wanted to expand our horizons. At the same time, when you're
working with Ric Ocsaek, you're working with someone who worked with Roy
Thomas Baker. So, like one of those six degrees of separation things,
you're going to sound a little more like Queen.
bn.com: This is also the first time
you've done a full album of songs that most people would consider
standard, in terms of both structure and length. Did the jump to the
"next level" have anything to do with that?
RP: A lot of it has to do with the band
I'm playing with now. Since Doug [Gillard] is such an amazing guitar
player, I'll write more songs that have breaks in them so that he can
play solos -- which is purely a selfish thing for me, since I like
listening to him play. I'm also growing up a little bit, admittedly a
little later than most people, so I'm getting more patient with the way
I write. I'm not just throwing every idea I have onto tape as fast as I
can.
bn.com: You still do that with your side
projects, though.
RP: Oh, yeah. See, I have to be doing
something all the time or else I go crazy. I just finished a new solo
album that we'll put out on Rockathon later this year. That will be my
fifth album of 1999.
bn.com: So in Dayton, are you viewed as
some sort of guru, or are you ignored more than you would be on the
road?
RP: I'm definitely less conspicuous
here, which is the answer I'm sure you'd get from most people who come
from smaller towns. People from New York or L.A. are just fascinated by
these old guys playing these weird, fast pop songs, where here people
just say "Oh, you again? Yeah, we remember you...."
bn.com: Even closer to home, your own
children have pretty much grown up with GBV. What do they think of the
band?
RP: My son is 18, and he came on the
road with us for the first time. He's finally starting to like what GBV
does because he's gotten really into classic rock, like the Doors and
Led Zeppelin, and I think he hears the similarity there, He's got a band
now too, but I'm not allowed to hear it. From what I understand, there's
spoken word and some guy doing Indian chants.
bn.com: GBV in general -- and you in
particular -- drink an awful lot of beer onstage. Is there any chance
that you'll be pursuing an endorsement from one of America's finer
breweries?
RP: I'm still working on that one.
Rolling Rock turned me down, which was a drag, but we almost had
something going with Budweiser. They wanted me to write a song for them,
and I tried, but they insisted I use the phrase "This Bud's for
you" in it, and I just couldn't make myself do that.
|